EDM soon became one of the most popular music genres all around the world and some of the forms of electronic music are Breakbeat, Dance-punk, Eurodance, Freestyle, House, Techno and Trance. Though the roots of electronic music are based in the disco music which was very popular in the 1970s it was only in 1990s, that this type music was widely accepted and it became one of the contemporary music styles in following years. Electronic music is generally created by means of electronic equipments and instruments like synthesizers, drum machines and sequencers and it mimics the unique sounds of the traditional acoustic instrumentation.

Apart from electro music genres like trance, techno, house and breakbeat which are primarily intended for dancing. Some genres of electronic music like IDM and trip hop are more associated with listening rather than body movements. Trance, which is also one of the forms of electronic genre of music, is a combination of techno, house and industrial music. The name is undoubtedly linked to perceive the ability of music to induce an altered state of consciousness.

With the growth of computers and music technologies, and reduction in the cost of music equipments, a number of upcoming artists and disk jockeys have emerged, showcasing their talent and taking electronic music to the next level. Also, with the advent of hard disk recording system, it is possible for any computer user to become a musician, hence we see a rising trend of bedroom bands where often only single player is the band himself.

Over the past year, Trap music has become the fastest growing genre of music. The overall music production of this genre consists of elements taken from predominantly Down South Hip Hop, House and Dubstep. This new style of music has been making quite a buzz in the music industry with new producers, dj’s and artists popping up daily.

This pairing of EDM (electronic dance music) and Hip Hop has turned out to be quite the perfect match. Two genres that had previously been on completely different sides of the spectrum are now working together to bring a new energy and sound to the club scene. We now have Hip Hop producers/artists working with EDM producers creating an exciting new genre of music.

With this sudden surge of this style of production, we have been blessed to hear great new music from artists such as RL Grime, Flosstradamus, and Baauer. As with any new trend, we also have to filter out all the generic “Trap Remixes” and tracks that seem to flood websites such as Soundcloud on a daily basis. I’ve seen well known producers as well as bedroom producers make miserable attempts in creating Trap Music.

The question that now looms for Trap Music is whether it will have any longevity. Is this just another trend that will fade away? Does this genre of music have what it takes to last for years to come?

I feel that Trap Music has the potential to last. I feel this way based off the fact that the genre has roots in Hip Hop. Because of this, there are familiar sounds used in its production that can be recognized by even the newest listeners. Nightclubs are a good way to gauge any given genre of music. Dj’s will play music that keeps the energy levels high in nightclubs. Trap Music might be relatively new in the clubs, but many of the sounds used in its production come from Hip Hop tracks that have been playing in clubs for years.

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Now it is no longer necessary for aspiring musicians to even be signed to a label, be it and indie or a major. With the birth of web 2.0 it is possible for artist to be visible within their market with the use of online tools to map out some form of PR strategy. We are no longer restricted to hearing new artists via radio play and the record store’s new artist sections. In today’s society everybody is online with their own individual online presence enabling them to interact with the masses through the use of social media, which includes social networks, websites and Apps. This now means that as an artist you have an audience of maximum reach as there are no limits to your distribution.

A couple of UK artist we can see that heavily use online PR within the urban scene includes the likes of, Wiley, Skepta, JME, Lethal Bizzle and the list continues. These artists use social media including Twitter, Facebook and official websites to interact with fans and keep them up to date on new releases, tours, competitions, merchandise availability and also to show the world that they are human through normal interaction and conversation with their fan base.

Many artists are defining music as the new dubstep; it certainly has become the new craze in the industry. Although the history of the genre dates back to a decade ago, it has only recently started to gain recognition and hype.

Many people consider the fact that since trap’s crossover to EDM it has started to grow in demand with sold out glow-sticked arenas due to EDM Trap’s popularity. The major reason why this genre has been ambushed by the world is the transformation trap music has gone through, with not as much rapping and more feet moving beats involved in the songs.

To get a better understanding of music, it could be broken down and described as a combination of dubstep, hip hop, and dance music.

So basically what kind of music is trap music? Traditionally it’s a term generally used to describe hip hop music from the Southern regions of America. Music has pretty much become identifiable with Hip-hop and takes influence from the rap sound in the South.

Numerous artists like Flosstradamus, RL Grime, Baauer and Gladiator have had astounding demand since implementing trap into their own music.

Trap has become a raging craze with the masses of people at clubs, parties and underground gigs. It is no surprise that it is such a big hit with the people considering the music is so likeable and trap stylings can be injected into any form or style of music. No wonder it has caught everybody in its trap much faster than dubstep or electro and it’s fairly simple to see why.

The first DJ we caught was Nicky Romero. A great energy to open our Ultra weekend! Then came Avicii with a strange set. Super strong start, everyone was rocking out SO hard. Great energy, great lightshow and then… live folk-inspired music. It was good, whatever it was. And it certainly proved Avicii could live mix quite well, only I felt it went on too long. The crowd become more and more confused about what was happening. People started to leave, wondering where their dance-beats went. Our crew stayed, enjoying the show. By the 5th folky song I turned to my boyfriend and said “Alright, that’s enough. It’s good and everything but I want to dance to some EDM. That’s what we paid all that money for.” I respect his new music and the courage to premiere it there. I just think it went on for too long and had too much “folk with a little EDM” rather than “EDM with a little folk.” I wasn’t the only one. Some tweet I read were far less forgiving! Avicii eventually had to defend himself via Facebook, although many were not convinced. I’m curious to hear the new stuff in a different environment though. I think I might like it.

Someone that demands a mention is none other that Mr. Tijs Verwest, also known as Tiesto, who finished off Friday night at Ultra. He really knows how to play a crowd. It’s a journey, really. He pulls you up and takes you places you totally don’t expect and then suddenly he’s dropped it in some dub-house breakdown that I’ve never heard before but LOVED! It had to be good, especially since he got on the mic and said “expect the unexpected ultra!” and boy he did he deliver! Tiesto closed it down so strong on Friday I felt like he was closing down the festival. He never half-asses a set and I’ve seen him four times! Great set.

The return of Deadmau5 on Saturday was insane. I had never seen him before even though I’ve been listening to him for years. It was surreal hearing my favourite songs come to life and watching everyone dance to them. The light show was also incredible! Some were bored with what they called the “same old Deadmau5” but for me, it was flawless! Other Saturday highlight were Calvin Harris, who was so much fun to listen to and groove with friends and strangers alike. Although in EDM, no one is a stranger. Fatboy Slim is always a highlight for me. I love his wackiness, repeated vocals, fun and unapologetic style and the visuals are always unique. I also caught a little dubstep with Doctor P, Flux Pavillion, Zed’s Dead and my favourite dub-master Bassnectar.

Then came my 12-hour day with ASOT600MIA! Unreal. Started the day with Tritonal and W&W, then left ASOT to check out NERVO, Zedd, and Porter Robinson. While I enjoy all those artists, I would have been delighted to stay at ASOT600 all day. I was brought nearly to tears almost immediately. There’s just something about Trance that moves you.

About halfway through Porter Robinson we left so we could get in the VIP line early to see Above & Beyond and Armin van Buuren. See, the VIP tickets were awesome but at certain times the capacity for the VIP section would fill up and you had to wait ages to get it. We were in line for over an hour and Above & Beyond had already played half their set by the time we got in. We weren’t concerned though, no one disappointed!!! This was my first time seeing Above & Beyond and it was amazing. So much connection with the crowd, so much love!! They had words coming up on their video screen throughout the set that were so beautiful and inspiring it brought tears to my eyes throughout the set. I truly felt connected to every person at that stage. Armin is my #1 DJ so I was euphoric about seeing him for the fourth time! He played his new single “This is What it Feels Like” feat. Trevor Guthrie and it was soooo beautiful! I’ve been listening to it on YouTube on repeat. Judge me.

After Armin we headed for the Main Stage to see the much-anticipated final performance by Swedish House Mafia. It was fun and emotion-filled, but I was quite tired so I didn’t fight the crowd to get close or anything. I just danced closer to the back with my friends and boyfriend and then bolted for the exit by the last note!!

Luckily we were staying at the Inter Continental right across the street so we didn’t have to bother with taxis or trains. Something we will do every year if we can!! The view of the festival from our room was priceless.

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Techno music, which some say, came out of Detroit in the early 90’s, may have begun through the evolutionary progress of various new textures, patterns and sounds which were emerging from all over the world.

New electronic music devices were being created while electronic sounds were coming into their own. The kick and snare became the heartbeat of the song. The bass became the backbone driving force. The synthesizer was the melody which brought people into the nightclub doors, and kept them dancing from dusk to dawn.

Over the years, some of the different genres and sub styles which have emerged with this new sound have been called: Deep House, House, Techo, Megabeat, Electro House, Disco House, Funky House, Garage, Techno, Industrial, Electronica, Breakcore, Micro-house, Underground, Trance, Ambient, Breaks, Minimal Techno, and many more.

But in looking at where we are now, it was the music groups from as far back as the 60’s that were the veterans of this new sound. Bands like “The Tornados” created one of the first techno-pop songs entitled Telstar in 1962, which became a Billboard number one hit for the band. The song featured a Clavioline, an instrument like a keyboard with a very distinctive electronic sound. Telstar was the first U.S. number one hit by a British group. The song was originally thought to be just a novelty record intended to make people think about the dawn of the space age. Little did they know at the time how evolutionary their record would become.

Since then, DJ’s and Re-mixers (both male and female) have come on the dance music scene, creating an entirely new sound of the future. With their flair for remixing different sounds, cuts and beats, many DJ’s have created number one dance singles. In doing so, they have developed a new artistry and way for them to be heard by music industry power players. Further, they continue to compete at becoming the best mixers and most popular DJ’s in the clubs. In their own right, they have become the celebrities.

With respect to all forms of music and genres introduced, there is no one sound or genre which now stands alone. Music is as diverse as the creators’ imagination. But groundbreakers, such as The Tornados and Kraftwerk have helped to pave the way.

Stay tuned, because the next groundbreakers are sitting in their studios (or sound proofed bedroom closets) right now creating the hottest ‘new sound’ as we speak. And moving forward toward the future, who knows what those sounds will be entitled. Perhaps you will come up with the next new style yourself. If so, what will it be coined? The world’s audience will definitely be listening.

Lady Gaga has really revolutionized pop music at the end of decade with her perfect timing and the Fame really brings disco-pop and yes, even electro pop to life. While Pink, Christina, Beyonce and company are releasing their albums and singles, Gaga has already cemented herself as not only one of the fastest emerging female artists in history, but also as a pop culture icon and one of the biggest favorites of disc jockeys.

She is a staple of pop culture continuing come up with new concepts. Gaga sings (live too!), dances, combines music and fashion, designs her own stage, plays an actual instrument (true musician), and most of all, actually writes her own material. Her strengths have produced a million wannabe’s that want to dance like Gaga or sing like Gaga. She’s such incredible entertainer that disc jockeys can’t wait to see what she gives next.

Gaga can tear the house down sitting on a stool with a mic in her hand or do a full out dance routine and knock others dead. What Alexander McQueen did for fashion, Gaga is doing to dance music. The most amazing with Lady Gaga is that she can change style, whether ballad or pop dance which makes her the new Queen Of Pop. Gaga will continue her career the same way Madonna has. She is a marketing machine for her amazing concerts and the disc jockey who need danceable hits to play.

One thing you all have to admit finally is that Lady Gaga really shook up Top 40 into liking electronic/dance music and abandoning the aggressive sounds of hip-hop in the early and mid 2000s.

A Tracklist Will Help You Get Found
Including a tracklist or playlist with your mix sets is an essential part of promoting your career as a performing artist. Whether you’re just starting out or a seasoned pro, a proper play list is the best way to ensure your mix sets are easily found by house heads worldwide. With each tracklist, you provide Google an opportunity to index key search terms such as song title, artist, remixer, and label. Use this as a tool to be found by fans that follow and support the same style as you. Technically speaking, a playlist will promote your mix even when you’re asleep!

In the world of house music, there are thousands of underground, unsigned, and aspiring artists it’s amazing how much music never makes it to the mainstream market. Even then, what our culture considers “mainstream” is still considered “underground” in the world of major labels. It’s important that your listeners identify where the music is coming from, so that their hard work is in the spotlight as well.

Playlists are an Industry Standard
House and electronic dance music has always been about discovering new music. As a DJ/Artist, it is your duty to educate your fans and audience. Don’t be afraid to include a playlist with all your mixes – It’s an industry standard and without one you can easily be misinterpreted as lazy or holding back.

Minimum format: ARTIST – TITLE
Preferred format: ARTIST – TITLE – REMIXER – LABEL
Example: DJ Smith feat Mary Jones – “It’s getting funky” (Funklord Club Remix) – K1 Music

Show Your Support
It’s rare that you will become a world renown artist based solely on your DJ sets. Most disc jockeys do more than just play music. They often have a combination of elements working for them including a radio show, remix/production, a club residency, promoting their own night/event, or a record label. A natural progression for many DJs is getting into music production or remixing. One day, your music will be a part of someone else’s mix, and you certainly hope they give you proper recognition. Show your support and make sure you acknowledge their talent by including their information on your playlist.

Our Future Depends on You
With a tracklist you are providing a service to the artist or label in the event the listener wants to buy that song/track. Whether you’re a fan or DJ – Think about the all the times you’ve listened to a mix, and NEEDED to buy a certain song. You found out what it was, and you bought it on iTunes, Amazon, Traxsource, Beatport, or your favorite digital music store. With a proper tracklist, you’re saying YES to the future of the digital music industry.

1. Keep an open mind – This is by far one of the most idiotic mistakes we all make unconsciously if we’re not careful. Remember any music that you’re not enjoying all that much can be attributed to many things, but most importantly: remember that one bad song does not define the genre or sub-genre.

2. Don’t listen to cheese – Yes this means YOU, yes YOU sitting there wondering if you really have to put down your DJ Sammy, your Ian Van Dahl, your DJ Encore, your Darude – Sandstorm, and the list goes on. I am not going to sit here and tell you which artist to listen to or what not to, but there is DEFINITELY a world of a difference between eating McDonalds every day and having a rotation of quality foods like Japanese-grown Kobe Beef Filet Mignon every night. They may both be loosely labeled “beef” but there is a world of difference in difference in texture, taste, flavors, aromas and such that the person who has never had either will not be able to immediately appreciate on first taste. Remember my fundamental first point? Don’t be one of those people who think it’s cool to go against mainstream music just because it is mainstream. Have your own thought and opinion. Don’t fall victim and prey to social conditioning. I personally love what DJ’s like Armin van Buuren, Above & Beyond, Ferry Corsten, etc. are doing for the EDM and Trance world. Are they mainstream? Yes. Are they utterly good at what they do to promote the genre, contribute POSITIVELY to it, and at the end of the day make millions of people around the world let go of their problems and burdens for the brief time they’re listening to them? That is the ultimate delimiter and deciding factor in a question of this scale. To wrap this point up, I believe a quote by one of the most genius and talented producers of our era Brian Transeau (aka BT) says it all:

“I love what guys like Oliver Lieb and Paul van Dyk do. I hate that ATB and those sorts of people have prostituted this stuff. You listen to an ATB track and then you listen to Sasha, and the difference is as obvious as listening to Led Zeppelin and Rachmaninoff.” – Brian Transeau

3. Don’t listen to low bitrate music – Now we’re starting to get to the heart of how to actually enjoy the music once we have little nuances like ignorance and stereotyping of a genre of music out of the way. Please do yourself a favor and refuse to listen to anything that is at the VERY least 128 kbps when you first start out, and then 192 kbps when you find that your brain and ears can hear the difference in them. The jump from 192 kbps and 320 kbps takes a bit longer to bridge, but I wholly encourage everyone who has the ability to get a 320 rip of whatever their tunes to do so. If you have no idea what bitrate means, in a nutshell the numbers denote how much information is coming through when you are listening. The less information that comes through, the more muffled, low quality, and ultimately un-lifelike the sound will sound.

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Take the building blocks for creating music – rhythm, pitches, and melodic aspects. While, in traditional music, they may be created through a symphonic orchestra or a rock band, electronic music often transposes these multi-instrumental aspects into one instrument.

Synthesizers, for example, are truly the first instrument available for making dance music. Although in its early days, it was mainly seen as a novelty device for making strange sounds on film soundtracks, it gradually evolved into a key player in recording music. Polyphonic abilities and sampling capabilities were given to the instrument in the 1980s and, although the need for session players never phased out, a synthesizer could be used as the accompaniment with several sounds to a singer’s vocals.

In more recent electronic dance music, the turntable is a significant component. For many DJs, this device is coupled with a mixing console and other devices needed for on-the-spot production. Nevertheless, from production to scratch DJs, this device has become a necessity for playing the sounds that the DJ then tweaks. To further its reputation as a legitimate instrument, a concerto for turntable that utilized scratching techniques was written earlier this decade.

A computer, preferably a laptop in recent years, has been another device used regularly in electronic dance music. In the earlier days on the genre, sounds were created on a computer, copied onto a disc, and added to a sampling keyboard. In the present, the computer becomes another instrument in a musician’s setup. Programs like Ableton Live and Logic Audio allow sounds to be recorded from the outside, incorporated into the track, and, in a live performance, used directly from the computer. Additionally, a computer is often attached to a turntable or keyboard setup as a source of samples.

Aside from these three main components, additional ones may be added. Nintendo systems and tablet computers have found their way into DJ setups recently. Tape players, similarly, have been added from genres ranging from synth-pop to classical as a source of loops and repetition.