EDM soon became one of the most popular music genres all around the world and some of the forms of electronic music are Breakbeat, Dance-punk, Eurodance, Freestyle, House, Techno and Trance. Though the roots of electronic music are based in the disco music which was very popular in the 1970s it was only in 1990s, that this type music was widely accepted and it became one of the contemporary music styles in following years. Electronic music is generally created by means of electronic equipments and instruments like synthesizers, drum machines and sequencers and it mimics the unique sounds of the traditional acoustic instrumentation.

Apart from electro music genres like trance, techno, house and breakbeat which are primarily intended for dancing. Some genres of electronic music like IDM and trip hop are more associated with listening rather than body movements. Trance, which is also one of the forms of electronic genre of music, is a combination of techno, house and industrial music. The name is undoubtedly linked to perceive the ability of music to induce an altered state of consciousness.

With the growth of computers and music technologies, and reduction in the cost of music equipments, a number of upcoming artists and disk jockeys have emerged, showcasing their talent and taking electronic music to the next level. Also, with the advent of hard disk recording system, it is possible for any computer user to become a musician, hence we see a rising trend of bedroom bands where often only single player is the band himself.

Over the past year, Trap music has become the fastest growing genre of music. The overall music production of this genre consists of elements taken from predominantly Down South Hip Hop, House and Dubstep. This new style of music has been making quite a buzz in the music industry with new producers, dj’s and artists popping up daily.

This pairing of EDM (electronic dance music) and Hip Hop has turned out to be quite the perfect match. Two genres that had previously been on completely different sides of the spectrum are now working together to bring a new energy and sound to the club scene. We now have Hip Hop producers/artists working with EDM producers creating an exciting new genre of music.

With this sudden surge of this style of production, we have been blessed to hear great new music from artists such as RL Grime, Flosstradamus, and Baauer. As with any new trend, we also have to filter out all the generic “Trap Remixes” and tracks that seem to flood websites such as Soundcloud on a daily basis. I’ve seen well known producers as well as bedroom producers make miserable attempts in creating Trap Music.

The question that now looms for Trap Music is whether it will have any longevity. Is this just another trend that will fade away? Does this genre of music have what it takes to last for years to come?

I feel that Trap Music has the potential to last. I feel this way based off the fact that the genre has roots in Hip Hop. Because of this, there are familiar sounds used in its production that can be recognized by even the newest listeners. Nightclubs are a good way to gauge any given genre of music. Dj’s will play music that keeps the energy levels high in nightclubs. Trap Music might be relatively new in the clubs, but many of the sounds used in its production come from Hip Hop tracks that have been playing in clubs for years.

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Now it is no longer necessary for aspiring musicians to even be signed to a label, be it and indie or a major. With the birth of web 2.0 it is possible for artist to be visible within their market with the use of online tools to map out some form of PR strategy. We are no longer restricted to hearing new artists via radio play and the record store’s new artist sections. In today’s society everybody is online with their own individual online presence enabling them to interact with the masses through the use of social media, which includes social networks, websites and Apps. This now means that as an artist you have an audience of maximum reach as there are no limits to your distribution.

A couple of UK artist we can see that heavily use online PR within the urban scene includes the likes of, Wiley, Skepta, JME, Lethal Bizzle and the list continues. These artists use social media including Twitter, Facebook and official websites to interact with fans and keep them up to date on new releases, tours, competitions, merchandise availability and also to show the world that they are human through normal interaction and conversation with their fan base.

Many artists are defining music as the new dubstep; it certainly has become the new craze in the industry. Although the history of the genre dates back to a decade ago, it has only recently started to gain recognition and hype.

Many people consider the fact that since trap’s crossover to EDM it has started to grow in demand with sold out glow-sticked arenas due to EDM Trap’s popularity. The major reason why this genre has been ambushed by the world is the transformation trap music has gone through, with not as much rapping and more feet moving beats involved in the songs.

To get a better understanding of music, it could be broken down and described as a combination of dubstep, hip hop, and dance music.

So basically what kind of music is trap music? Traditionally it’s a term generally used to describe hip hop music from the Southern regions of America. Music has pretty much become identifiable with Hip-hop and takes influence from the rap sound in the South.

Numerous artists like Flosstradamus, RL Grime, Baauer and Gladiator have had astounding demand since implementing trap into their own music.

Trap has become a raging craze with the masses of people at clubs, parties and underground gigs. It is no surprise that it is such a big hit with the people considering the music is so likeable and trap stylings can be injected into any form or style of music. No wonder it has caught everybody in its trap much faster than dubstep or electro and it’s fairly simple to see why.

But first, a little background: I am a music festival addict to the bone. I cannot get enough. I attended Vans Warped Tour as a young punk rocker in high school and in college, along with other day-long music festivals, mostly in the punk and alternative genre. The punk scene was so attractive to me as a pre-teen and beyond because it had this amazing sense of unity and empowerment. I felt like I totally belonged. I wasn’t weird for making my own clothes or fighting for my rights and the rights of others. I truly felt like I could make a positive difference in the world. And I wasn’t alone. Punk wasn’t about lying down and taking it just because bad things are “going to happen anyway.” For me, and others, it was about standing up, fighting back, and bringing people together, no matter how different.

Punk rock eventually led me to having a more of an indie-punk fashion sense and to listening to post-hardcore. These post-hardcore bands started to use synths more and more as years went on. Although synths had been used in hardcore and similar genre since the early 90’s, the first albums I came across with a heavy synth presence were between 2006 and 2008. It sounded more like electro-hardcore to me. And I loved it, a lot! So more and more I developed a love for bands with electronic elements. Electro-pop, electro-core, and so on.

Then Bonnaroo happened. I had heard rumours of the modern-Woodstock and I knew I had to check it out. A couple of my close guy friends were going and I quickly claimed a spot in their car for the 17+ hour drive to Manchester, TN in the summer of 2011.

Because of cheap computers and music software programs such as Ableton Live, Pro Logic, FL9 or Reason, this enables would-be producers to create their own music in there bedrooms, eliminating the need for expensive recording studios and large equipment. Gone are the days of spending your hard earned cash booking a £150 per hour recording studio only to be watching the clock eve 5 minutes because you’re worried about finishing your track in time without spending even more money for extra time.

Many of today’s modern artists such as electronic and hip hop musicians and remixers need to use digital media sources and computer equipment to help them create their magic. Thankfully, the advent of the Internet means that established and up-and-coming musicians, producers and filmmakers can easily download a wide array of royalty free WAV samples , MIDI Loops and drum loops that can inspire them to create new and exciting electronic music productions.

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In the recent few years free EDM music downloads are making a boom on the Internet, and this genre has become the first preference all music lovers. Basically music is a blend of elements like Dubstep and Down South Hip Hop. Having a unique style of its own, this genre is hitting top charts of new evolving DJs, producers and artists popping up daily. Therefore there is no surprise in the fact that this genre has outgrown as a rage amongst masses of people that prefers only trap musicout in the parties, clubs and underground gigs. What makes this music genre so unique and so popular is that trap styling are flexible to be injected into any type or style of music thus giving a broader array of choices to music lovers. No wonder how this new budding genre has literally trapped people much faster that already well-known electro and dubstep music styles.

Noticing this emerging popularity every passing day the question that now looms is how long will this craze last? Will it be just like many trends that come and go until the next new thing is invented? Or will it create a strong foothold in the music industry and also amongst the crowd?

However there is a much higher probability seen for trap music 2013 to last longer. Having its roots in hip hop, Trap Music is definitely made up just the way people want it. People can relate to this music style even if they are new listeners. Knowing the fact that the night clubs have been the best way to gauge the potential of every new genre style, has definitely become the favorites of all the DJ’s. So overall an exciting growth is already been witnessed in the present scenario and much likely this music genre is going to stay for very long.

Another thing which is playing a great role in elevating the standards and liking of music among the crowds are the free EDM music downloads offered on the web by many music websites. This has made easier and convenient for all the music lovers to listen to their favorite tracks anytime and anywhere. This is indeed one very big trend that is followed by masses across the globe.

Techno music, which some say, came out of Detroit in the early 90’s, may have begun through the evolutionary progress of various new textures, patterns and sounds which were emerging from all over the world.

New electronic music devices were being created while electronic sounds were coming into their own. The kick and snare became the heartbeat of the song. The bass became the backbone driving force. The synthesizer was the melody which brought people into the nightclub doors, and kept them dancing from dusk to dawn.

Over the years, some of the different genres and sub styles which have emerged with this new sound have been called: Deep House, House, Techo, Megabeat, Electro House, Disco House, Funky House, Garage, Techno, Industrial, Electronica, Breakcore, Micro-house, Underground, Trance, Ambient, Breaks, Minimal Techno, and many more.

But in looking at where we are now, it was the music groups from as far back as the 60’s that were the veterans of this new sound. Bands like “The Tornados” created one of the first techno-pop songs entitled Telstar in 1962, which became a Billboard number one hit for the band. The song featured a Clavioline, an instrument like a keyboard with a very distinctive electronic sound. Telstar was the first U.S. number one hit by a British group. The song was originally thought to be just a novelty record intended to make people think about the dawn of the space age. Little did they know at the time how evolutionary their record would become.

Since then, DJ’s and Re-mixers (both male and female) have come on the dance music scene, creating an entirely new sound of the future. With their flair for remixing different sounds, cuts and beats, many DJ’s have created number one dance singles. In doing so, they have developed a new artistry and way for them to be heard by music industry power players. Further, they continue to compete at becoming the best mixers and most popular DJ’s in the clubs. In their own right, they have become the celebrities.

With respect to all forms of music and genres introduced, there is no one sound or genre which now stands alone. Music is as diverse as the creators’ imagination. But groundbreakers, such as The Tornados and Kraftwerk have helped to pave the way.

Stay tuned, because the next groundbreakers are sitting in their studios (or sound proofed bedroom closets) right now creating the hottest ‘new sound’ as we speak. And moving forward toward the future, who knows what those sounds will be entitled. Perhaps you will come up with the next new style yourself. If so, what will it be coined? The world’s audience will definitely be listening.

Music centers can break out in the must unlikely places. Take the small Balearic Island of Ibiza, for example. When people think of island vacations, they likely picture sandy beaches, rolling waves, and drinking cool beverages under the hot sun. In other words, they dream about enjoying the great outdoors.

However, it’s the great indoors, instead, that makes Ibiza a coveted destination for dance music aficionados all over the world.

Much like latter day world explorers, hippies arrived in Ibiza in the ’60s, bringing with them musical styles not yet heard in Spain. And in 1973, Pacha Ibiza, the island’s first pivotal club, began to attract music-loving night owls. Soon after, rising musicians from around the globe were flocking to this sonic melting pot, and eventually many other popular night spots took root, including Es Paradis and Amnesia.

In the ’90s, dance music began to evolve at a rapid rate, similar to the way the internet and personal computers started fast-forwarding our culture into its brave new future. And when the electronic dance movement started to take shape via house, trance, techno and other keyboard and computerized styles, DJs in the Ibiza club scene took on the role of turntablest agents of change. There’s even a genre named after the island, called Balearic Beat, and this indigenous Ibiza music is notable for its strong grooves, which are mixed in with distinctly Spanish influences.

One of Ibiza’s best known performers is Jens Gad, who was featured prominently on Enigma’s recordings. Tiësto, another Ibiza regular, was the first DJ to perform at the Athens Summer Olympic Games in 2004. Paul van Dyk may be from East Berlin, but his electronic dance music always goes over extremely in Ibiza. John Digweed regularly performs at hot spots, such as Space, and hosts his own radio show, Transitions. Other notable DJs include Above and Beyond, who are appreciated for their uplifting trance sounds, also host the radio show Trance Around the World and have had residencies at Cream, A&B, and others. Markus Schulz is also from Germany, and like many of his DJ contemporaries, hosts his own radio show, which is called Global DJ Broadcast.

Ibiza is more than just a DJs paradise, however, as nearly any and all musical varieties are now openly welcomed there. It’s so eclectic in fact many clubs designate rooms solely for certain musical styles, which range from Latin and garage, to R&B and hip-hop. Live music is also alive and well in the Ibiza calendar, as Kaiser Chiefs, The Arctic Monkeys, and Kasabian have all made notable island ventures, brandishing electric guitars, instead of turntables and various electronic wizardry. Much like major creative cities, such as New York, London, and Los Angeles, Ibiza attracts visitors from around the world. These other major metropolises may dwarf the island, size-wise, but Ibiza’s adventurous sense of experimentation makes it just as important as any other music capital. Those with ears to hear that want to explore the great indoors must put Ibiza on their travel itinerary.
This article was written by John McElborough. Find out more about Ibiza and book your room at the Ibiza Rocks Hotel – Ibiza’s number one music hotel for clubbers on loveibiza.net.

1. Keep an open mind – This is by far one of the most idiotic mistakes we all make unconsciously if we’re not careful. Remember any music that you’re not enjoying all that much can be attributed to many things, but most importantly: remember that one bad song does not define the genre or sub-genre.

2. Don’t listen to cheese – Yes this means YOU, yes YOU sitting there wondering if you really have to put down your DJ Sammy, your Ian Van Dahl, your DJ Encore, your Darude – Sandstorm, and the list goes on. I am not going to sit here and tell you which artist to listen to or what not to, but there is DEFINITELY a world of a difference between eating McDonalds every day and having a rotation of quality foods like Japanese-grown Kobe Beef Filet Mignon every night. They may both be loosely labeled “beef” but there is a world of difference in difference in texture, taste, flavors, aromas and such that the person who has never had either will not be able to immediately appreciate on first taste. Remember my fundamental first point? Don’t be one of those people who think it’s cool to go against mainstream music just because it is mainstream. Have your own thought and opinion. Don’t fall victim and prey to social conditioning. I personally love what DJ’s like Armin van Buuren, Above & Beyond, Ferry Corsten, etc. are doing for the EDM and Trance world. Are they mainstream? Yes. Are they utterly good at what they do to promote the genre, contribute POSITIVELY to it, and at the end of the day make millions of people around the world let go of their problems and burdens for the brief time they’re listening to them? That is the ultimate delimiter and deciding factor in a question of this scale. To wrap this point up, I believe a quote by one of the most genius and talented producers of our era Brian Transeau (aka BT) says it all:

“I love what guys like Oliver Lieb and Paul van Dyk do. I hate that ATB and those sorts of people have prostituted this stuff. You listen to an ATB track and then you listen to Sasha, and the difference is as obvious as listening to Led Zeppelin and Rachmaninoff.” – Brian Transeau

3. Don’t listen to low bitrate music – Now we’re starting to get to the heart of how to actually enjoy the music once we have little nuances like ignorance and stereotyping of a genre of music out of the way. Please do yourself a favor and refuse to listen to anything that is at the VERY least 128 kbps when you first start out, and then 192 kbps when you find that your brain and ears can hear the difference in them. The jump from 192 kbps and 320 kbps takes a bit longer to bridge, but I wholly encourage everyone who has the ability to get a 320 rip of whatever their tunes to do so. If you have no idea what bitrate means, in a nutshell the numbers denote how much information is coming through when you are listening. The less information that comes through, the more muffled, low quality, and ultimately un-lifelike the sound will sound.

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