EDM soon became one of the most popular music genres all around the world and some of the forms of electronic music are Breakbeat, Dance-punk, Eurodance, Freestyle, House, Techno and Trance. Though the roots of electronic music are based in the disco music which was very popular in the 1970s it was only in 1990s, that this type music was widely accepted and it became one of the contemporary music styles in following years. Electronic music is generally created by means of electronic equipments and instruments like synthesizers, drum machines and sequencers and it mimics the unique sounds of the traditional acoustic instrumentation.

Apart from electro music genres like trance, techno, house and breakbeat which are primarily intended for dancing. Some genres of electronic music like IDM and trip hop are more associated with listening rather than body movements. Trance, which is also one of the forms of electronic genre of music, is a combination of techno, house and industrial music. The name is undoubtedly linked to perceive the ability of music to induce an altered state of consciousness.

With the growth of computers and music technologies, and reduction in the cost of music equipments, a number of upcoming artists and disk jockeys have emerged, showcasing their talent and taking electronic music to the next level. Also, with the advent of hard disk recording system, it is possible for any computer user to become a musician, hence we see a rising trend of bedroom bands where often only single player is the band himself.

The rise of Lorde and electronic dance music, or EDM, across the world has brought a new level of attention to music festivals in the country of New Zealand. The country is currently producing a number of leading popular musicians and acts and is the birthplace of the latest worldwide pop sensation, Lorde(1). The music scene supported the rise of acts Gotye, The Naked and Famous and Mt. Eden.

Music Festivals NZ

Music festivals have experienced the subsequent rise in attendance and prominence as well(2). They’ve been able to attract larger acts to the country both as openers for their own success stories and artists who are looking to make a wave in a new market. This has been especially prevalent in the dance music world, with prominent EDM acts such as Chet Faker, Peking Duk, Poniiboi and Hardwell headlining events in the country.

Because of this, a survey was conducted bout the various music festivals that have or are occurring in New Zealand this year and it shows that more people than ever are getting off the fence when it comes to attending the music festivals NZ throws. Over 30% of people surveyed said that they actually attend festivals, while just over 20% say that they do not normally attend, but they do check the line-ups. Those people are sure to find their way into music festivals because of the ever-larger names that New Zealand continues to attract!

Most Popular Music Festivals

The Rhythm and Vines (2) festival continues to be the most popular of all of the music festivals NZ holds with 13% of people surveyed saying that they look forward to it every year. The BW Summer Festival comes in second on this festival survey. Over 32% of people have not chosen a favourite music festival.

Favourite Music Acts

With all of the big names that have been coming to festivals in New Zealand lately, it is also difficult for people to pick a favourite act from any of these festivals. The festival survey found that three of the top five acts at festivals in New Zealand were from the dance genre – Chet Faker(3), Peking Duk(4) and Flume(5) – indicating that EDM is perhaps the most popular genre of music when it comes to festivals. The survey also had Maxwell and Bastille as the other top two acts that people enjoy.

The first DJ we caught was Nicky Romero. A great energy to open our Ultra weekend! Then came Avicii with a strange set. Super strong start, everyone was rocking out SO hard. Great energy, great lightshow and then… live folk-inspired music. It was good, whatever it was. And it certainly proved Avicii could live mix quite well, only I felt it went on too long. The crowd become more and more confused about what was happening. People started to leave, wondering where their dance-beats went. Our crew stayed, enjoying the show. By the 5th folky song I turned to my boyfriend and said “Alright, that’s enough. It’s good and everything but I want to dance to some EDM. That’s what we paid all that money for.” I respect his new music and the courage to premiere it there. I just think it went on for too long and had too much “folk with a little EDM” rather than “EDM with a little folk.” I wasn’t the only one. Some tweet I read were far less forgiving! Avicii eventually had to defend himself via Facebook, although many were not convinced. I’m curious to hear the new stuff in a different environment though. I think I might like it.

Someone that demands a mention is none other that Mr. Tijs Verwest, also known as Tiesto, who finished off Friday night at Ultra. He really knows how to play a crowd. It’s a journey, really. He pulls you up and takes you places you totally don’t expect and then suddenly he’s dropped it in some dub-house breakdown that I’ve never heard before but LOVED! It had to be good, especially since he got on the mic and said “expect the unexpected ultra!” and boy he did he deliver! Tiesto closed it down so strong on Friday I felt like he was closing down the festival. He never half-asses a set and I’ve seen him four times! Great set.

The return of Deadmau5 on Saturday was insane. I had never seen him before even though I’ve been listening to him for years. It was surreal hearing my favourite songs come to life and watching everyone dance to them. The light show was also incredible! Some were bored with what they called the “same old Deadmau5” but for me, it was flawless! Other Saturday highlight were Calvin Harris, who was so much fun to listen to and groove with friends and strangers alike. Although in EDM, no one is a stranger. Fatboy Slim is always a highlight for me. I love his wackiness, repeated vocals, fun and unapologetic style and the visuals are always unique. I also caught a little dubstep with Doctor P, Flux Pavillion, Zed’s Dead and my favourite dub-master Bassnectar.

Then came my 12-hour day with ASOT600MIA! Unreal. Started the day with Tritonal and W&W, then left ASOT to check out NERVO, Zedd, and Porter Robinson. While I enjoy all those artists, I would have been delighted to stay at ASOT600 all day. I was brought nearly to tears almost immediately. There’s just something about Trance that moves you.

About halfway through Porter Robinson we left so we could get in the VIP line early to see Above & Beyond and Armin van Buuren. See, the VIP tickets were awesome but at certain times the capacity for the VIP section would fill up and you had to wait ages to get it. We were in line for over an hour and Above & Beyond had already played half their set by the time we got in. We weren’t concerned though, no one disappointed!!! This was my first time seeing Above & Beyond and it was amazing. So much connection with the crowd, so much love!! They had words coming up on their video screen throughout the set that were so beautiful and inspiring it brought tears to my eyes throughout the set. I truly felt connected to every person at that stage. Armin is my #1 DJ so I was euphoric about seeing him for the fourth time! He played his new single “This is What it Feels Like” feat. Trevor Guthrie and it was soooo beautiful! I’ve been listening to it on YouTube on repeat. Judge me.

After Armin we headed for the Main Stage to see the much-anticipated final performance by Swedish House Mafia. It was fun and emotion-filled, but I was quite tired so I didn’t fight the crowd to get close or anything. I just danced closer to the back with my friends and boyfriend and then bolted for the exit by the last note!!

Luckily we were staying at the Inter Continental right across the street so we didn’t have to bother with taxis or trains. Something we will do every year if we can!! The view of the festival from our room was priceless.

Article Source: http://EzineArticles.com/7660816

But first, a little background: I am a music festival addict to the bone. I cannot get enough. I attended Vans Warped Tour as a young punk rocker in high school and in college, along with other day-long music festivals, mostly in the punk and alternative genre. The punk scene was so attractive to me as a pre-teen and beyond because it had this amazing sense of unity and empowerment. I felt like I totally belonged. I wasn’t weird for making my own clothes or fighting for my rights and the rights of others. I truly felt like I could make a positive difference in the world. And I wasn’t alone. Punk wasn’t about lying down and taking it just because bad things are “going to happen anyway.” For me, and others, it was about standing up, fighting back, and bringing people together, no matter how different.

Punk rock eventually led me to having a more of an indie-punk fashion sense and to listening to post-hardcore. These post-hardcore bands started to use synths more and more as years went on. Although synths had been used in hardcore and similar genre since the early 90’s, the first albums I came across with a heavy synth presence were between 2006 and 2008. It sounded more like electro-hardcore to me. And I loved it, a lot! So more and more I developed a love for bands with electronic elements. Electro-pop, electro-core, and so on.

Then Bonnaroo happened. I had heard rumours of the modern-Woodstock and I knew I had to check it out. A couple of my close guy friends were going and I quickly claimed a spot in their car for the 17+ hour drive to Manchester, TN in the summer of 2011.

Notation Programs VS DAWs

Notation programs are software used to create sheet music. You would need to know how to read and write music to use it. DAWs or Digital Audio Workstations are stronger for producing professional sounding audio. The amount of sounds libraries, virtual instruments and effects are endless. DAWs have more powerful ways to manipulate notes and sounds than Notation programs.

How do I decide which type of program to choose?

Generally, if you want to create great sounding audio, use a DAW. Alternatively, if you want to compose for live instruments, an orchestra, choir and won’t need to record your tracks in a studio, plus you’re game in music notation, choose a notation program.

Best Notation Programs for Music Composition

Finale

Finale is the cream of the crop in music notation programs and is used professionally by sheet music creators. The printed music at your local music store would most likely be made using Finale. The learning curve is a little high though, with tons of features. It may be too complicated for beginners but you can try Finale Notepad first which is a free, easier version to use.

Sibelius

The main competitor to Finale, Sibelius is great for all types of composers. Finale targets the traditionalists, and Sibelius the more general audience. Maybe too bold of a statement, but Sibelius tends to be popular with media composers such as film and video game music composers. The interface is very easy to learn and use, and is more beginner-friendly.

MuseScore

MuseScore is the best free notation program out there. It has a lot of features and is considered equal to the full blown programs such as Finale and Sibelius. A little hard to learn for the beginner, but will greatly pay off considering this is a free program with full capabilities.

Another one of Mumbai’s DJS will be seen performing soon, DJ Shiva. Known for his foot tapping Bollywood and Hollywood remixes, the DJ does not stick to the convention when it comes to his brand of music. Effortlessly fusing Hip Hop, mainstream Bollywood, lounge, electro and house music, it makes his repertoire far more versatile than most performing artists. Having worked in the music industry for over a decade, the talented DJ has risen from where he’d begun, 10 years ago. He’s carved a niche for himself, with his hard work, unrelenting dedication and his unbridled passion for music. He has also been awarded with a bevy of accolades for his work with music. Some of his famous remixes include Aaj Phir, fro Hate Story 2, Yaariyaan, Raghupati Raghav, from Krrish 3 and Dil Tu Hi Bata. He’s already performed at more than a few high profile events, some of which include Trikaya at Pune, Flags at Pune with Perizad, IPL Nights, Party Link and many more.

Techno music, which some say, came out of Detroit in the early 90’s, may have begun through the evolutionary progress of various new textures, patterns and sounds which were emerging from all over the world.

New electronic music devices were being created while electronic sounds were coming into their own. The kick and snare became the heartbeat of the song. The bass became the backbone driving force. The synthesizer was the melody which brought people into the nightclub doors, and kept them dancing from dusk to dawn.

Over the years, some of the different genres and sub styles which have emerged with this new sound have been called: Deep House, House, Techo, Megabeat, Electro House, Disco House, Funky House, Garage, Techno, Industrial, Electronica, Breakcore, Micro-house, Underground, Trance, Ambient, Breaks, Minimal Techno, and many more.

But in looking at where we are now, it was the music groups from as far back as the 60’s that were the veterans of this new sound. Bands like “The Tornados” created one of the first techno-pop songs entitled Telstar in 1962, which became a Billboard number one hit for the band. The song featured a Clavioline, an instrument like a keyboard with a very distinctive electronic sound. Telstar was the first U.S. number one hit by a British group. The song was originally thought to be just a novelty record intended to make people think about the dawn of the space age. Little did they know at the time how evolutionary their record would become.

Since then, DJ’s and Re-mixers (both male and female) have come on the dance music scene, creating an entirely new sound of the future. With their flair for remixing different sounds, cuts and beats, many DJ’s have created number one dance singles. In doing so, they have developed a new artistry and way for them to be heard by music industry power players. Further, they continue to compete at becoming the best mixers and most popular DJ’s in the clubs. In their own right, they have become the celebrities.

With respect to all forms of music and genres introduced, there is no one sound or genre which now stands alone. Music is as diverse as the creators’ imagination. But groundbreakers, such as The Tornados and Kraftwerk have helped to pave the way.

Stay tuned, because the next groundbreakers are sitting in their studios (or sound proofed bedroom closets) right now creating the hottest ‘new sound’ as we speak. And moving forward toward the future, who knows what those sounds will be entitled. Perhaps you will come up with the next new style yourself. If so, what will it be coined? The world’s audience will definitely be listening.

Lady Gaga has really revolutionized pop music at the end of decade with her perfect timing and the Fame really brings disco-pop and yes, even electro pop to life. While Pink, Christina, Beyonce and company are releasing their albums and singles, Gaga has already cemented herself as not only one of the fastest emerging female artists in history, but also as a pop culture icon and one of the biggest favorites of disc jockeys.

She is a staple of pop culture continuing come up with new concepts. Gaga sings (live too!), dances, combines music and fashion, designs her own stage, plays an actual instrument (true musician), and most of all, actually writes her own material. Her strengths have produced a million wannabe’s that want to dance like Gaga or sing like Gaga. She’s such incredible entertainer that disc jockeys can’t wait to see what she gives next.

Gaga can tear the house down sitting on a stool with a mic in her hand or do a full out dance routine and knock others dead. What Alexander McQueen did for fashion, Gaga is doing to dance music. The most amazing with Lady Gaga is that she can change style, whether ballad or pop dance which makes her the new Queen Of Pop. Gaga will continue her career the same way Madonna has. She is a marketing machine for her amazing concerts and the disc jockey who need danceable hits to play.

One thing you all have to admit finally is that Lady Gaga really shook up Top 40 into liking electronic/dance music and abandoning the aggressive sounds of hip-hop in the early and mid 2000s.

Did you ever wonder why your gym work out isn’t cutting it right now? Is the thought of seeing that gray old building discouraging you? What about the cost? Well, there is new work out craze that is fun and cost effective. Yet, it isn’t that new. It’s a workout you use to do as a kid. Yet, back then you called it fun. What is this “new” exercise? Roller skating. Roller skating is coming back as a HUGE hit! Why? The 80’s dance music is blaring out the speakers people are enjoying themselves and the cost is so much lower than any gym membership.

80’s dance music is secretly loved by all generation X. And instead of singing off key in your car go sing out load at your local rink You will find more and more 80’s children are flocking back to “Xanadu” experience and you can’t beat your $9 cover charge.

More and more Skating Rinks are opening up “80’s Dance Music” theme nights for adults where you can find everyone young and old coming out and enjoying this favorite pass time of decades gone by. You will find all sorts of characters, with hot pants and retro hello kitty gear. Madonna will be buzzing by you, while Prince and Micheal Jackson are doing there own moves in the middle of the rink.

More and more adults are going out with their kids on church events, birthday parties and get together at the roller skating rinks with 80’s dance music themes surrounding the area.

So, what are you waiting for? Lace up those neon skate laces and head down to your locale Roller Skating rink with your family and get a fantastic workout while doing it! It is so much better than paying those ridiculous prices at the gym!

Article Source: http://EzineArticles.com/2774222

1. Keep an open mind – This is by far one of the most idiotic mistakes we all make unconsciously if we’re not careful. Remember any music that you’re not enjoying all that much can be attributed to many things, but most importantly: remember that one bad song does not define the genre or sub-genre.

2. Don’t listen to cheese – Yes this means YOU, yes YOU sitting there wondering if you really have to put down your DJ Sammy, your Ian Van Dahl, your DJ Encore, your Darude – Sandstorm, and the list goes on. I am not going to sit here and tell you which artist to listen to or what not to, but there is DEFINITELY a world of a difference between eating McDonalds every day and having a rotation of quality foods like Japanese-grown Kobe Beef Filet Mignon every night. They may both be loosely labeled “beef” but there is a world of difference in difference in texture, taste, flavors, aromas and such that the person who has never had either will not be able to immediately appreciate on first taste. Remember my fundamental first point? Don’t be one of those people who think it’s cool to go against mainstream music just because it is mainstream. Have your own thought and opinion. Don’t fall victim and prey to social conditioning. I personally love what DJ’s like Armin van Buuren, Above & Beyond, Ferry Corsten, etc. are doing for the EDM and Trance world. Are they mainstream? Yes. Are they utterly good at what they do to promote the genre, contribute POSITIVELY to it, and at the end of the day make millions of people around the world let go of their problems and burdens for the brief time they’re listening to them? That is the ultimate delimiter and deciding factor in a question of this scale. To wrap this point up, I believe a quote by one of the most genius and talented producers of our era Brian Transeau (aka BT) says it all:

“I love what guys like Oliver Lieb and Paul van Dyk do. I hate that ATB and those sorts of people have prostituted this stuff. You listen to an ATB track and then you listen to Sasha, and the difference is as obvious as listening to Led Zeppelin and Rachmaninoff.” – Brian Transeau

3. Don’t listen to low bitrate music – Now we’re starting to get to the heart of how to actually enjoy the music once we have little nuances like ignorance and stereotyping of a genre of music out of the way. Please do yourself a favor and refuse to listen to anything that is at the VERY least 128 kbps when you first start out, and then 192 kbps when you find that your brain and ears can hear the difference in them. The jump from 192 kbps and 320 kbps takes a bit longer to bridge, but I wholly encourage everyone who has the ability to get a 320 rip of whatever their tunes to do so. If you have no idea what bitrate means, in a nutshell the numbers denote how much information is coming through when you are listening. The less information that comes through, the more muffled, low quality, and ultimately un-lifelike the sound will sound.

Article Source: http://EzineArticles.com/1994734